ARRI Amira Premium Package
ARRI proudly introduces AMIRA, a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded looks based on 3D LUTs, as well as 200 fps slow motion.
AMIRA features the same sensor and exceptional image quality as the ARRI ALEXA, recording superior HD 1080 or 2K pictures that are suitable for any distribution format. With a dynamic range of more than 14 stops, low noise levels, subtle highlight handling, natural color rendering, breathtaking skin tones and speeds of up to 200 fps, AMIRA will deliver beautiful, life-like images in any situation.
We have the Premium Package and have all our firmware up to date with the latest features available.
Blackmagic URSA Mini Pro 4.6K G2
The Ursa G2 is an all around workhorse. Comes with EF mount (PL mount also available), V-mount battery plate, viewfinder with top handle and V-lock shoulder mount plate with ARRI rosettes and 15mm rod receivers. Shoot 4K up to 120 fps. See website for all the details. https://www.blackmagicdesign.com/products/blackmagicursaminipro
Viltrox EPIC T2 1.33x Full-Frame Anamorphic 3-Lens Set
Create a full-frame anamorphic look using your cine-style camera and the ARRI PL-mount EPIC T2 1.33x Full-Frame Anamorphic 3-Lens Set from Viltrox. This set consists of 35, 50, and 75mm prime lenses and a hard-shell case for air travel. Each lens produces oval bokeh, a de-squeezed 2.35:1 aspect ratio, and a retro look with consistent tones from edge to edge. Read more below about each lens in this set.
Dulens APO Mini Primes
Create an expressive, softer look for your cine-style capture with the APO Mini 31mm T2.4 Prime Lens from Dulens. Each lens in the APO Mini series covers up to full-frame sensors and features a special coating that smooths out skin tones and adds halation for a classic vintage feel. Shoot with the aperture wide open to create a notable rainbow flare, or stop down to minimize any flaring. This APO Mini Prime lens' focus is sharp but not rigidly so, producing a gentler look. Available in either PL or EF.
BlackMagic Pocket 6K Pro
To top their previous achievement with the Pocket Cinema Camera 6K, Blackmagic Design adds an even more full-featured, compact Super35 camera to their cine-style line with the Pocket Cinema Camera 6K Pro. The 6K Pro features all the recording features, sensor, dynamic range, buttons, and ports as its predecessor, and adds a variety of important new features such as a 5" tilting HDR capacitive touchscreen LCD with 1500 cd/m² brightness, a Pro EVF option, built-in clear/2/4/6-stop ND filters, dual mini-XLR inputs, an accurate timecode clock, an NP-F570 L-series battery slot, and updated Gen 5 color science.
Canon 5D MK3
The Canon EOS 5D Mark III has a stunning 22.3-megapixel full-frame CMOS sensor with DIGIC 5+ Image Processor, a vast ISO Range of 100-25600, plus EOS technologies like the 61-Point High Density Reticular AF, Intelligent Viewfinder, Canon's advanced iFCL metering system, High Dynamic Range (HDR), and Multiple Exposure mode.
Canon 5D MKIV
The Canon EOS 5D Mark IV has all the features you know from the MK3 and more. It now shoots 4K video direct to an CF card internally. It's capable of shooting 60fps at 1920x1080, has active autofocus and shoots in Canon C-Log. This is the perfect compliment to our new Ronin-M when set to auto focus.
Angenieux DP 30-80mm T2.8
The Angénieux Optimo DP 30-80mm T2.8 cinema zoom lens is one of the more popular cinema zoom lenses for films, documentary, and commercial productions. The Angénieux Optimos were made specifically for digital cinema cameras including the ARRI Amira, Alexa Mini and most RED cameras. The Optimo DP 30-80mm lens is small for its class, making it a great option for handheld work, and has a fast T Stop of T2.8. It also has next to no breathing or ramping. The Angenieux Optimo 30-80mm T2.8 zoom lens has a classic look
• Aperture: T2.8
• Mount: PL
• Weight (approx.): 4.2 lbs
• Image coverage: S35 + 31.4mm diagonal
• Length: 7.4”
• Zoom ratio: 2.7X
• Focus Type: Internal
• MOD: 2 ft
• Front Diameter: 114mm
Angénieux Optimo DP 16-42mm
DZOFILM Vespid 90mm Macro PL
This 90mm macro lens has an image circle that covers a full-frame sensor. When mounted on a camera with a Super35 sensor, it provides you with a tighter shot than if mounted on a camera with a full-frame sensor. The lens features metal construction to withstand the rigors of daily production.
This macro focus lens has a close focus distance of 10.157", allowing you to reproduce an in-focus image with a 1:1 object to image size ratio on the sensor. The 16-blade iris, which is consistent throughout the VESPID prime lens lineup, creates round out-of-focus highlights that have a more natural appearance and contribute to the lens's natural-looking bokeh. The focus ring features 300° of rotation for precise focus pulls, and the iris ring a generous 68° of rotation. Cine-style gear rings on the focus and iris rings make the lens compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems.
Xeen Cine Lens EF Mount
The lenses feature an internal focus design, which means that the front of the lens doesn't rotate as you change focus, and the lens maintains a constant volume. Dual-sided focus marks make it easier on your camera assistant working on either side of the camera, and the 200° of focus barrel rotation provides ample real estate for precision marking. Each lens incorporates built-in, cinema-style focus and iris gears that share common positions, making for fast lens changes. The 24, 50, and 85mm lenses feature a maximum aperture of T1.5 and an 11-bladed iris. The 16mm features a maximum aperture of T3.1 and has a 9-bladed iris.
GoPro Hero 7 Black
The new HERO 7 Black has all the bells and whistles available in a GoPro. Body is available with a wide range of accessories and mounting options.
Laowa 24mm f/14 Macro Probe EF Lens
This easy to use lens allows for extreme close focus. With its long, slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5' minimum focusing distance and a close 0.8" minimum working distance. Even with such a close working distance, the lens measures 1.3' long, placing you at a comfortable distance to photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared to traditional telephoto macro lenses, which allows for greater detail in the background with less subject isolation.
Canon EF 16-35mm
The EF 16-35mm f/2.8L II USM Lens from Canon is a high performance, water-resistant, ultra wide-angle L-series zoom lens. An f/2.8 maximum aperture is effective in low light situations and offers shallow depth of field focus control. The optical design has been improved to offer better edge-to-edge image quality.
Canon EF 24-70mm
This redesigned EF 24-70mm f/2.8L II USM Lens from Canon ups the ante for optical performance for a professional standard zoom lens. It has one Super UD lens element and two UD lens elements that minimize chromatic aberrations in the periphery at wide-angle, as well as reducing color blurring around the edges of the subject. Optimized lens coatings help ensure exceptional color balance while minimizing ghosting.
Canon EF 70-200mm
The EF 70-200mm f/2.8L IS II USM Lens from Canon improves upon its predecessor, one of the most acclaimed lenses in the Canon EF line, with superior performance, increased speed and optical quality. The IS II Optical Image Stabilizer provides up to 4 stops of correction at all focal lengths and features two modes for stabilization of still objects and while panning to follow moving subjects. An ultrasonic focusing motor provides fast, smooth and silent autofocus action.
Canon EF 100 Macro
The EF 100mm f/2.8 Macro USM Lens from Canon will focus over the full range from infinity to true life size (1:1 reproduction ratio) macro. Ideal for photographing details and small subject material, it also serves as a very sharp prime telephoto lens for portraiture and other applications. It provides a combination of versatility, image quality and superb handling.
Canon 2X EF Extender
The Extender EF 2X III from Canon is designed for select Canon EF mount L-series telephoto lenses. It increases the focal length of a lens by a factor of 2x while still delivering superb image quality. This converter is only compatible with fixed focal length L-series lenses 135mm and over, as well as the EF 70-200/2.8L, EF 70-200/2.8L IS, EF 70-200/4L, and EF 100-400/4.5-5.6L.
Lensbaby Composer
•Selective focus lens, based on a ball and socket configuration, delivers smooth selective focus photography with unparalleled ease of use
•Features the Lensbaby Optic Swap System
•Magnetically suspended disk aperture system allows f/2.0, f/2.8, f/4, f/5.6, f/8.0, f/11, f/16, f/22 aperture settings.
Xeen 135mm T2.2 PL
Rokinon's Xeen 135mm T2.2 Lens with PL Mount is built specifically for use as a cinema lens. Each lens in the Rokinon Xeen cinema lens set is multi-coated for good contrast, glare prevention, and color matched to a factory standard. The lens features dual-sided focus scales in feet, with dual-sided iris scales. The 11-bladed iris provides a round aperture for natural looking highlights and Bokeh.
Schneider Xenon FF 18mm PL
The newly available Schneider Xenon FF 18mm PL lens is now available to complete this full set of lenses.
Because they are purpose built for digital cinematographythe new Xenon full-frame lenses are designed for 4K resolution and beyond. Each compact 3.3-pound lens offers all new optical and mechanical design for outstanding operation and performance as well as rugged reliability. The circular 14-blade aperture is specially engineered for a smooth and consistent bokeh. And with a 300-degree barrell rotation, the manual focus markings offer dead-on accuracy and repeatability. Additionally all lenses are color-matched for consistency.
Engineered for compatibility with industry standard cine-style accessories like follow focus rigs and matteboxes, the Xenon FF-Primes feature identical external dimensions and positioning of focus and gear rings in each focal length. Operators will appreciate using the oversized focus and distance scales that are readable on both sides of the lens.
Schneider Xenon FF 25mm PL
Because they are purpose built for digital cinematographythe new Xenon full-frame lenses are designed for 4K resolution and beyond. Each compact 3.3-pound lens offers all new optical and mechanical design for outstanding operation and performance as well as rugged reliability. The circular 14-blade aperture is specially engineered for a smooth and consistent bokeh. And with a 300-degree barrell rotation, the manual focus markings offer dead-on accuracy and repeatability. Additionally all lenses are color-matched for consistency.
Engineered for compatibility with industry standard cine-style accessories like follow focus rigs and matteboxes, the Xenon FF-Primes feature identical external dimensions and positioning of focus and gear rings in each focal length. Operators will appreciate using the oversized focus and distance scales that are readable on both sides of the lens.
Schneider Xenon FF 35mm PL
Because they are purpose built for digital cinematographythe new Xenon full-frame lenses are designed for 4K resolution and beyond. Each compact 3.3-pound lens offers all new optical and mechanical design for outstanding operation and performance as well as rugged reliability. The circular 14-blade aperture is specially engineered for a smooth and consistent bokeh. And with a 300-degree barrell rotation, the manual focus markings offer dead-on accuracy and repeatability. Additionally all lenses are color-matched for consistency.
Engineered for compatibility with industry standard cine-style accessories like follow focus rigs and matteboxes, the Xenon FF-Primes feature identical external dimensions and positioning of focus and gear rings in each focal length. Operators will appreciate using the oversized focus and distance scales that are readable on both sides of the lens.
Schneider Xenon FF 50mm PL
Because they are purpose built for digital cinematographythe new Xenon full-frame lenses are designed for 4K resolution and beyond. Each compact 3.3-pound lens offers all new optical and mechanical design for outstanding operation and performance as well as rugged reliability. The circular 14-blade aperture is specially engineered for a smooth and consistent bokeh. And with a 300-degree barrell rotation, the manual focus markings offer dead-on accuracy and repeatability. Additionally all lenses are color-matched for consistency.
Engineered for compatibility with industry standard cine-style accessories like follow focus rigs and matteboxes, the Xenon FF-Primes feature identical external dimensions and positioning of focus and gear rings in each focal length. Operators will appreciate using the oversized focus and distance scales that are readable on both sides of the lens.
Schneider Xenon FF 75mm PL
Because they are purpose built for digital cinematographythe new Xenon full-frame lenses are designed for 4K resolution and beyond. Each compact 3.3-pound lens offers all new optical and mechanical design for outstanding operation and performance as well as rugged reliability. The circular 14-blade aperture is specially engineered for a smooth and consistent bokeh. And with a 300-degree barrell rotation, the manual focus markings offer dead-on accuracy and repeatability. Additionally all lenses are color-matched for consistency.
Engineered for compatibility with industry standard cine-style accessories like follow focus rigs and matteboxes, the Xenon FF-Primes feature identical external dimensions and positioning of focus and gear rings in each focal length. Operators will appreciate using the oversized focus and distance scales that are readable on both sides of the lens.
Schneider Xenon FF 100mm PL
Because they are purpose built for digital cinematographythe new Xenon full-frame lenses are designed for 4K resolution and beyond. Each compact 3.3-pound lens offers all new optical and mechanical design for outstanding operation and performance as well as rugged reliability. The circular 14-blade aperture is specially engineered for a smooth and consistent bokeh. And with a 300-degree barrell rotation, the manual focus markings offer dead-on accuracy and repeatability. Additionally all lenses are color-matched for consistency.
Engineered for compatibility with industry standard cine-style accessories like follow focus rigs and matteboxes, the Xenon FF-Primes feature identical external dimensions and positioning of focus and gear rings in each focal length. Operators will appreciate using the oversized focus and distance scales that are readable on both sides of the lens.
4x5 Filters
ND6, ND9, ND6 HE Grad, ND9 HE Grad, ND1.2 HE Grad, ND9 HE Grad V, ND6 HE Grad V
Classic Soft 1/8, 1/2, Glimmer Glass 1,2,3, Hollywood Black Magic 1/2,1, True Streak-Blue
IDX Power Link V-Mount
Our exclusive PowerLink feature connects two E-HL9 batteries for a total power capacity of 174Wh. The 6-step 5 LED power status display gives an accurate reading of capacity in 20% increments plus the last 10%.. The E-HL9 supports Digi-View for reading battery levels in many of today’s camera viewfinders. Comes with the VL-2SPLUS charger which provides simultaneous 2-channel charging and AC to DC 100W power for camera and other 12v equipment. Now you can charge 2 batteries at once! Also available 147wh V-Mounts and 180wh V-Mounts.
Bright Tangerine Viv Matte Box
The Viv matte box by Bright Tangerine is a super versatile system. It can be set up with 1,2 or 3 stages. It takes standard Panavision (4x5.650) filters and 2 of the trays are rotatable. It comes with hard mattes an eyebrow and side wings. It is also set us as a swing away, or you can use it as a clamp on.
Teradek Bolt 500 3G-SDI/HDMI
The Bolt 500 3G-SDI/HDMI Video Transmitter from Teradek transmits visually lossless video up to 500' with no delay. The built-in HDMI to SDI converter allows you to connect both your on-camera monitor and video source via the same device, thereby making Bolt 500 suitable for use with MoVI and other separately available gimbals.